The Joy of X – GFX

Fujifilm GFX with Vertical grip
Fujifilm GFX

I don’t really do excitement over cameras, they are just there to do a job. I don’t really go in for camera porn, unboxing videos or any such nonsense, frankly it bores me.

Also before I go any further I will say that I do work very closely with Fujifilm, but that doesn’t mean I just spout the PR line and be a puppet. My view here is my own, unbiased and an honest review of using a camera that I was loaned for a few days.

By now you will have all heard of the Fujifilm GFX, a 50 megapixel mirrorless medium format camera. I’m sure you’ll have seen the images of stunning quality by Wayne Johns and Damien Lovegrove plus many others.

You will have also noticed that most of these images are studio based, with excellent lighting.

I don’t do flash, I don’t really do people if I can help it, I do landscape, usually in the rain.

Also you should note I am not a pixel peeper or super techie geek, I go purely on feel and print quality. The camera has to be a subconscious extension of me, I don’t want to have to think about, feel or experience it in anyway. It can’t get in the way.

The warning from Fujifilm was “Don’t drop it or drown it!” . I smashed my X-Pro2 during testing, so they were understandably nervous of my reputation.

Given the short amount of time I was able to have to the GFX I literally set off straight to one of my favourite locations in Romney Marsh in Kent.

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The Fujifilm GFX50S dangerously close to getting wet!

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My first impression was that it was lighter and smaller than I had initially expected. The user interface is very much like every Fujifilm X-series camera.

You can add an angled viewfinder and an extra battery grip, if you so desire.

In reality I wouldn’t use the battery grip or the angled finder that both come as extras, the screen is massive, bright and very clear  – plus it is touch sensitive which you can turn off. The screen also articulates in the same was as the X-T2.

In fact if you gave the X-T2 a course of steroids, you get the GFX50s. Without the battery grip it weighs the same  – give or take a little bit – as the X-T2 with its battery grip.

The viewfinder that comes supplied can be removed from the hot shoe to give an even smaller profile.

The styling is nice, although in my opinion it’s not as pretty as the rest of the Fujifilm range, and some would argue that the other mirrorless medium format camera by Hasselblad is somewhat prettier, which is fair.

However the GFX has been designed to a tool, to be used and not to be put behind glass and fawned over.  In the hand it feels like a Mamiya 7, which was for me the perfect medium format camera.

Speaking of hands, all the knobs, dials and buttons fall easily to the fingertips, making it quick to use and the adjustments are positive. Yes there are locks on the shutterspeed and ISO dials to stop moving them by mistake.

The layout of the GFX is simple and intuituve
The layout is very similar to the X-T2 making adjustments to your exposure is simple and easy.

Finally Fujifilm have given us a low ISO – the GFX goes down to 100 and stretches easily up to 12800, with more if you need it.

Now the exciting bit – the shutter speeds go all the way from 1/4000 – 60 minutes, oh happy day, I worship at the feet of Mr Fujifilm and his team. Total bliss for someone like me who uses long exposure as an excuse for sitting in the sunshine!

It also has dual card slots, takes the regular RR90 cable release and shoots video too. You access the battery compartment from the side which means you don’t have to remove it from your tripod if the battery suddenly dies.

The batteries are bigger and specifically for the GFX, Fujifilm claim you’ll get 400 shots but in terms of real shooting I got two full days using long exposures before the battery died. My unscientific test included lots of reviewing images and leaving the screen on even while walking around Venice leading a workshop!

How does it fare in the rain? Well I left it outside in the rain – sorry Fujifilm – but someone had to!

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The GFX was given a little shelter at the start of the rain storm but I felt it needed to get wet in the end!

After a gentle introduction to weather (I allowed it to shelter under my Blunt Umbrella) I retired to shelter leaving the camera outside for half an hour – it worked, with no sign of leaks in the card slot, battery compartment or the cover that hides the USB sockets. All good.

The lenses I was able to use – the 32-64 zoom and the 120mm macro – were both excellent, razor sharp and both fast to focus. Frustratingly the macro doesn’t do 1:1, but there are ways around that.

The lenses also take filters in the normal way, my Lee 100mm system was perfect and no cut off was evident  – although I wouldn’t expect on the 32-64 anyway.

Talking of filters, because the shutter speeds go all the way down to 60 minutes, when you attach the Big or Super stopper you can still see the image on screen which means long exposure photography just got a whole lot easier for a number of people who struggle to work out the exposure time.

I also enjoyed being able to switch aspect ratios through from a proper panoramic 6×17 to a more common 16×9, 4×3, 3×2, 1×1. The film simulations are there too for those who want the Velvia or Acros experience while shooting superfine jpegs.

Shooting at night is something I really enjoy, the GFX handled sulking around in the dark without breaking a sweat. The two images below one made at 30 seconds the other for 8 minutes have zero noise evident in the shadows, I do shoot to the right to get as much information in the shadows as possible. There is nothing muddy about the way the shadows are rendered.

In fact the quality of the prints I have made has stunned me, the detail and crispness of the images has to be seen to believed.

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The 32-64 lens is very versatile with excellent detail and sharpness across the entire focal range.
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Eight minutes exposure, zero noise in the shadows and the detail recorded it staggering.

So does the bigger camera get in the way, was I conscious it was there, did it feel like a brick?

Honestly no, perhaps because I’m used to the way Fujifilm lay out their cameras the step up felt entirely natural. Strangely using the camera I slowed down even more than I usually, the larger screen made the camera seem invisible to me while I was working with it. In fact I had the biggest smile on my face and wanted to take more pictures.

As I have been an evangelist about switching to Fujifilm X-Series because of the lighter weight, it must feel like I’m being a bit contradictory. But I’m not, yes it is heavier than the current Fujifilm range, the lenses certainly are, but when compared with a DSLR the GFX still wins out, because you get a beautiful large file, housed in a relatively light compact body that doesn’t feel like you are holding a brick.

At around £6199 for the body and £2200 for the 32-64 it is going to make your pocket lighter but I have to admit that I have ordered one because for my photography, the size I reproduce my images it is a no brainer, my work is worth the investment.

Below are some images that I shot while testing the Fujifilm GFX50s.

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Shot using the 120mm macro lens

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Fujifilm X-T2 unveilled

Today Fujifilm have announced the much anticipated and over leaked X-T2. So finally I can say that truthfully this camera is out there and is wonderful to handle.

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The camera has all the good looks of its predecessor but has been redesigned based on photographers feedback. The magnesium body has weather resistant sealing to suit rugged outdoor conditions, this professional body is slightly larger than the Fujifilm X-T1 due to improved control dials that turn easily with or without gloves.

In the hand it feels chunky but not over big, it also feels less flimsy than the X-T1, the buttons and dials all have a very positive action so there is less chance of accidentally knocking the settings.

The design of the body has been altered to fit more comfortably in the hand, I really like the new feel, it feels like a professional camera, and when the new grip is added it really has the feel true photographers camera.

The very impressive 24.3MP APS-C X Trans CMOS III sensor, featured on the X-Pro2, has already proved its worth to photographers but now with the addition of 4K and 2K video formats opens up the incredible range to professional videographers too. When filming video expect incredible sharpness and low noise when recording up to a maximum of ISO 12800.

One thing I am overjoyed with is the new screen, now it tilts three ways, which means that when you are shooting in the vertical format as well as the horizontal orientations you can flip out the screen for easy viewing of your subject when working at low angles or above head height.

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Of course Fuji being Fuji don’t stop there. The X-T2 features an electronic shutter with a limit of 1/32,000 second, an Intelligent Hybrid Phase detection AF,  a 2.36 Million dots Electronic Viewfinder and dual SD UHS-II memory card slots that will capture up to 14 frames per second with the Performance Boost Mode turned on.

The new vertical power booster grip adds performance too, as well as holding two extra batteries (these too have been redesigned) the VPB-XT2 will increase frame rate to an incredible 14 fps and decrease the shutter lag when shooting video.

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When shooting at 14fps you can record up to 42 jpeg or 28 RAW files before the camera needs to catch up. You can of course select a slower shooting rate which will extend the shooting and recording rate before the buffer kicks in.

The new Intelligent Hybrid Phase detection autofocus will allow you to select up to 325 autofocus points allowing for precise focus. What this means is no matter whether the subject is within the frame, the camera will autofocus very quickly to pick up the subject.

The autofocus is fully customisable too, allowing you to adjust the tracking to your preferred style of shooting depending on the subject you are tracking.

From my limited testing of the X-T2, action photographers are going to love the faster focussing and active tracking, it really is fast and accurate.

The X-T2’s ISO range of 200 – 12800 (RAW shooting) is exactly the same as the Fujifilm X-Pro2. When recording at high ISO like 3200 or 6400 photographers will find images and video to be very clear resulting in smooth graduation and deeper blacks.

The X-T2 can also be used to command up to three flashes – Fuji have also announced the EF EX500 flash – not being a flash user I can’t comment on this. However it will be nice to have a dedicated flash system that really works.

I only had a limited time using the X-T2 and because of all the leaks, I wasn’t even allowed to take it away from the office but I was seriously impressed with it. I will be testing one in the very near future so expect a full in detail update from me soon.